Auction Records: Artists who Live to See their Success

Does the pervasive image of the impoverished and struggling artist endure in today’s hot contemporary art market?

Anyone who has studied or discussed Art History is familiar with the starving artist trope – the idea of the artist who is rejected by his or her contemporaries, only to rise to fame posthumously. Vincent Van Gogh is a prime example, as he is one of the world’s most revered artists, yet only sold one painting during his lifetime.

The dismal image of the struggling and tortured artist quickly dissolves when surveying auction records for living artists. In fact, there is buzz that a new record will be established this week on November 15th during Christie’s evening sale in New York. David Hockney’s monumental canvas, “Portrait of an Artist (Pool with Two Figures)” (1972) is poised to become the most valuable work by a living artist ever sold at auction, with an estimated hammer price of $80 million. The current record is held by Jeff Koons, whose ten foot high stainless steel Orange Balloon Dog sold for $58.4 million in 2013. Gerard Richter, Ed Ruscha, Jasper Johns, Christopher Wool and Damien Hirst are only a handful of the many other artists who have achieved great success and managed to live to see it.

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Whether or not Hockney smashes Koons’ already impressive record, it is still exciting to witness the astronomical numbers living contemporary artists can fetch at auction. Click here to view the other lots in Christie’s upcoming Post-War and Contemporary Evening Sale.

balloon dog a mirror polished stainless steel with transparent color coating by Jeff Koons

Jeff Koons, Balloon Dog (Orange), 1994-2000, Mirror-polished stainless steel with transparent color coating, 121 x 143 x 45 inches. Auction price realized: USD $58,405,000

gerard richter painting Abstraktes Bild

Gerard Richter, Abstraktes Bild, 1986, Oil on canvas, 118 x 98 inches. Auction price realized: GBP £30,389,000

Encaustic on silk flag canvas artwork by Jasper Johns

Jasper Johns, FLAG, 1983, Encaustic on silk flag canvas, 11.5 x 17.5 inches, Auction price realized: USD $36,005,000

Alexander Calder: Radical Inventor

Calder Mobiles - Robin Rosenberg Fine Art

Alexander Calder, known as the artist who “made sculpture move,” revolutionized sculpture by suspending objects, creating mesmerizing shadows and changing perspectives.

Walking into the Montreal Museum of Fine Art’s Exhibition, ‘Alexander Calder: Radical Inventor’, viewers are immediately confronted with a slowly rotating circular couch with a large Calder mobile sculpture hanging above it. I sat down, laid on my back and gazed above to view the artwork. The moving couch offered continuously changing perspectives of the piece above, aptly setting the tone for the retrospective celebrating an artist who famously “made sculpture move.”

The exhibition features many of Calder’s mobiles – the artist’s unique artform consisting of delicately suspended forms that gently shift in response to air currents. Calder’s invention of the mobile completely revolutionized sculpture by renouncing stable heavy objects with mass and weight in favour of light, airy constructions that flow and cast magnificent shadows on walls that, in a way, become sculptures in their own right.

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The mobiles, stabiles, paintings and jewellery displayed throughout the exhibition showcase the artist’s innovative multidisciplinary practice. My favourite part of the exhibition, however, was the video of Calder’s circus performance displayed early on in the show. Performed in the avant-garde circles of Paris from 1926-31, Calder’s circus comprised of hundreds of miniature figurines made of wire and cloth that he manipulated into action. The video captures Calder vigorously pulling levers and strings and turning cranks to animate his characters and their props in a way that emulates various acts that occur at the circus. Trapeze artists fly through the air, latch arms and fall into a net. A lion roars before placing its handler’s head into its mouth. Act after act, it is truly a delight to watch and demonstrates the artist’s distinctive ability to imbue static objects with a strong performative presence. The circus performance captures the essence of the artist’s entire oeuvre that is, at once, playful and sophisticated.

The exhibition runs through until February 24th and I strongly encourage you to visit if you are in Montreal. Visit the museum’s website for more information.

a sculpture by Alex Calder

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